Learning how to Shoot in Manual Mode
By Kat Knuth
Longmont Family Photographer
Like many professional photographers, I’ve been obsessed with taking pictures for a long time, long before becoming a Longmont family photographer. I’ve always been the girl with a camera, capturing everything from party pictures that should have never been taken (sorry college friends) to gorgeous travel scenes I hope I never forget. Along the way, I developed an eye for a good shot, something that only comes with practice.
So, when my husband decided to invest in a Canon DSLR before our honeymoon, I was ecstatic. Finally! I’d have a camera that matched my growing photography skillset! Professional photographer here I come!
In auto mode, I was fantastic but my shots were still only good 50-70% of the time. What gives? Surely the fancy new camera would just…make me a good photographer? That’s all it takes, right?
Not even close.
When my son came along, like many new parents/millennials, I became obsessed with documenting every milestone. I set up elaborate sets in my apartment living room, photographing everything and learning more and more each time. I learned how to light a set indoors, how to adjust my settings to help, how to edit shadows in photoshop if I missed something, etc.
But when something wasn’t working, or my kiddo wasn’t cooperating, I’d abandon what I was learning and switch right back to auto mode.
It wasn’t until I became brave enough to post my first model call and begin pursuing photography in Longmont, Colorado, professionally that I really started to understand my camera and how it worked. I was preparing for my first set of models and I took my little family out to Barefoot Lakes in Firestone, Colorado. During the ever so perfect golden hour, I took some of my favorite images I’ve ever shot. Completely in manual mode to make sure I captured all that beautiful golden light, I followed my son around as he explored wildflowers and enjoyed the evening glow.
For the first time when I went back to edit my photos that night, I didn’t overedit. I didn’t have to. What I’d photographed in Firestone, Colorado, was so lovely, so natural, it didn’t need to be over processed and over produced. It just needed to exist as I shot it.
That’s how I prefer to shoot now. I nudge my camera along with the manual settings, usually focusing on aperture, to get the shot I want the first time, before photoshop takes over and I process the images to give them that sweet airbrushed touch. This results in much more natural, true-to-life images that have come to define my style.